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CV

SOLO SHOWS

2020

Temet Nosce” at Postmasters Roma, Rome, Italy

A Mala Hora” at Postmasters, New York, NY

2018

“Now & Then, More or Less” at Machamux, Westport, CT

2015

New Paintings” at Postmasters, New York, NY

2002

“Six Heads, Indoors” at The Living Art Museum, Reykjavik, Iceland

2001

“Four Paintings on Three Walls” at Three Walls, San Antonio, TX

SELECTED GROUP SHOWS

2019

Melt” at Chart, New York, NY

“Limbic Songs” at Real Eyes, North Adams, MA

2018

“Plus One” at Project:Art Space, New York, NY

2015

He Put a Hot Fish in Her Navel” at Embajada, San Juan, PR

2014

Early Man” at The Hole, New York, NY

2012

The Cursed Chateau” at the Indianapolis Museum of Contemporary Art, Indianapolis, IN

2008

“A Mycological Exploration” at V-Gun, Portland, OR

“Bam! Boom! Bang!!!” at Morsel, Brooklyn, NY

2004

“Semi-Lucid” at White Columns, New York, NY

2003

“Sasquatch Feng Shui” at The Portland Building, Portland, OR

“After Matisse-Picasso” at PS1 Contemporary Art Center, Queens, NY

“Pink Slips and Golden Parachutes” at The Project, New York, NY

BIBLIOGRAPHY

2020
Un’asta online con 37 artisti per sostenere lo Spallanzani“, Inside Art, May 5

“Artisti del mondo per sostenere lo Spallanzani” by Roberta Petronio, Corriere della Sera, May 3

2019

“Aesop célèbre les Anciennes Muses de la Mythologie” by Renaud Bonnet, Carnets de Traverse, December

“Aesop Gets Into Greek Mythology, Plus 4 More Clever Finds” by Zoë Sessums, Clever (Architectural Design), December 6

“Critics’ Picks: Melt” by Zahra Nasser, Artforum, August

2016

“Beyond the Face”, Artstein, August 2

“Rubber Souls: Contemporary Painting Stretches Its Legs” by Scott Indrisek, Modern Painters, June/July

“Giovanni Garcia-Fenech’s Big Naked Bodies” by Kyle Fitzpatrick, 1234kyle5678.com, January 20

2015
“Shape and Form” by Michael Slenske, Wallpaper, December 10

“ArtRx NYC: Painted Self Portraits” by Jillian Steinhauer, Hyperallergic.com, December 8

A New Gallery in Puerto Rico with a Salacious Backstory” by Ann Binlot, T Magazine (The New York Times), October 1

“Early Man” by Hannah Stamler, Modern Painters, March

2014

“3-Sentence Reviews” by Jerry Saltz, Vulture (New York Magazine), December 4

2010

“Art for Everyone” Elle Decor, November

2009

“Artists as Optimists” by Charlie Finch, Artnet.com, January 6

2005

“Dateline Brooklyn” by Stephen Maine, Artnet.com, February 4

2003

“Core Sampler” by Daniel Duford, The Organ #8, November/December

Untitled review by Tom Moody, January 17

2002

“The Moment and The Eternity; Giovanni Garcia-Fenech and JBK Ransu at the Living Art Museum” Morgunbladsins, November 30

“Six Heads Indoors” Frettabladid, November 30

“Sleeping with the Enemy” by Rufus Griscom, Nerve.com, August 12

“Nervy Artists Get Personal Online” Artnet.com, July 30

“Weekly Highlights: Are ‘Friends’ Electric” Los Angeles New Times, July 26

“The New Irascibles” by Carol Kino, photographs by Timothy Greenfield-Sanders, WBurg.com, Spring

“Group Show: The Nervous System” by Holly Myers, Los Angeles Times, March 29

EDUCATION

School of Visual Arts, New York, NY (MFA)

Austin College Sherman, TX (BA Psychology, BA Art)

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